Black Sabbath Movie Trailer

That same night, the child rises from his grave and begs to be invited into the cottage. The mother runs to her son's aid, stabbing Giorgio when he attempts to stop her, only to be greeted at the front door by Gorcha. The old man bites and infects his daughter-in-law, who then does the same for her husband. Vladimir and Sdenka flee from the cottage and go on the run and hide out in the ruins of an abandoned cathedral as dawn breaks. Vladimir is optimistic that a long and happy life lies with them, but Sdenka is reluctant to relinquish her family ties. She believes that she is meant to stay with the family.
Sdenka's fears about her family are confirmed when that evening, Gorcha and her siblings show up at the abandoned abbey. As Vladimir sleeps, Sdenka is lured into their loving arms where they bite her to death. Awakened by her screams, Vladimir rushes to her aid, but the family has already taken her home, forcing the lover to follow suit. The young nobleman finds her lying motionless on her bed. Sdenka awakens, and a distinct change is visible on her face. No longer caring, Vladimir embraces her, and she bites and infects him as well.

Black Sabbath Movie Review

Gorcha (Boris Karloff) returns to the cottage. His sour demeanor and unkempt appearance bode the worse, and the two brothers are torn; they realize that it is their duty to kill Gorcha before he feeds on the family, but their love for him makes it difficult to reach a decision. Later that night, both Ivan and Pietro are attacked by Gorcha who drains them of blood and flees the cottage. Giorgio stakes and beheads Pietro to prevent him from reviving as a wurdalak, but he is prevented from doing so to Ivan when his wife threatens to commit suicide. Reluctantly, he agrees to bury the child without taking the necessary precautions.
That same night, the child rises from his grave and begs to be invited into the cottage. The mother runs to her son's aid, stabbing Giorgio when he attempts to stop her, only to be greeted at the front door by Gorcha. The old man bites and infects his daughter-in-law, who then does the same for her husband. Vladimir and  flee from the cottage and go on the run and hide out in the ruins of an abandoned cathedral as dawn breaks. Vladimir is optimistic that a long and happy life lies with them, but Sdenka is reluctant to relinquish her family ties. She believes that she is meant to stay with the family.Black Sabbath Movie Review

Black Sabbath Movie Wiki

 Rosy sleeps, Mary gets up out of bed and pens a note of confession: she was the one making the strange phone calls when she learned of Frank's escape from prison. Knowing that Rosy would call on her for help, she explains that she felt it was her way of coming back into her life after their breakup. While she is busy writing, she fails to notice an intruder in the apartment. This time it is the real Frank. He creeps up behind Mary and strangles her to death with one of Rosy's nylon stockings. The sound of the struggle awakens Rosy and she gasps in fright. The murderous pimp realizes that he just killed the wrong woman, and slowly makes his way to Rosy's bed. However, earlier that night, Rosy had placed a butcher knife under her pillow at Mary's suggestion. Rosy seizes the knife and stabs Frank with it as he's beginning to strangle her. Rosy drops the knife and breaks down in hysteria, surrounded by the two corpses of her former lovers.Black Sabbath  Movie Wiki

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Black Sabbath (Italian: I tre volti della paura (The Three Faces of Fear)) is a 1963 Italian horror anthology film directed by Mario Bava. The film comprises three horror stories: "The Wurdulak" (based on the novella The Family of the Vourdalak by Aleksey Konstantinovich Tolstoy, and starring Boris Karloff), "The Drop of Water" and "The Telephone". The heavy metal band Black Sabbath appropriated their name from the British title of the film.Rosy (Michele Mercier) is an attractive, high-priced Parisian call-girl who returns to her spacious basement apartment after an evening out when she immediately gets beset by a series of strange phone calls. The caller soon identifies himself as Frank, her ex-pimp who has recently escaped from prison. Rosy is terrified, for it was her testimony that landed the man in jail. Looking for solace, Rosy phones her lesbian lover, Mary (Lydia Alfonsi). The two women have been estranged for some time, but Rosy is certain that she is the only one who can help her. Mary agrees to come over that night. Seconds later, Frank calls again, promising that no matter whom she calls for protection, he will have his revenge. Unknown to Rosy, Mary is the caller impersonating Frank.